Man vs. Nature, as of 1932

Every time one re-reads a worthy book, one finds new resonances within it. I believe this is my fifth time with this volume, and its ecological view would have found agreement back then with J.R.R. Tolkien, as it finds resonance today:

He wondered how all this cultivated part of Dartmoor would have looked, say, in Tertiary times, before the advent of man on the planet; before that uglifying master-brute had put a hand to his congenial and self-honoured labour of clearing lands of their established life. Savage and lovely beyond thought, no doubt. So what had been gained by the substitution? Additional sources of food supply for man himself and some dozen kinds of degenerated animals, his servants. For this, fair trees had been uprooted, strange, beautiful beasts and snakes of the wild exterminated, exquisite birds made rare or extinct, the inhabitants of the streams slaughtered and poisoned. Verily, a ruthless campaign!

And the effective result? Why, this foul trail of earth-viscera and metamorphosis wheresoever man passed. All over England and Europe, and gradually all over the world, the houses, pavements, factories, mines, quarries, cuttings, bridges, railways, cars, engines and machinery, slag-heaps, gas-works, roads, stagnant canals, the grime of unreckonable chimneys, the grit and dust of a hell-maze of thoroughfares; and the slums, and backyards, and hidden corners of filth and shame. Or the cabbage-rows, and manure-heaps, sties, stables and pens—to demonstrate the superlative vulgarity of this scrambler for easy food, the human biped, whose stomach was paramount in the existence of a mystic universe.

The source?  This comes from  Chapter VI of Devil's Tor (1932) by David Lindsay.

The Dust-Wrapper for David Lindsay's Devil's Tor

The first edition of David Lindsay's Devil's Tor, published by G.P. Putnam's Sons of London in April 1932, has an elegant dust-wrapper.  The central illustration is uncredited, but one of the early newspaper reviews of the book reproduces it with a caption that describes it as "A Woodcut for Devil's Tor by William Kermode."

The illustration is probably not a woodcut, but rather art done on scraper board, which was a specialty of Kermode's, so much so that he wrote a book about it, Drawing on Scraper Board for Beginners (1936).

William Kermode was born in Hobart, Tasmania, in 1895.  He came to England before World War I and joined the British Army (he would also serve in W.W. II.) In the mid to late 1920s he studied at the Grosvenor School of Modern Art. He made a series of vibrant linocuts of his own war experiences, for which Henry Williamson wrote the accompanying text. The resulting book, The Patriot's Progress, appeared in 1930.  Kermode therafter provided illustrations for many magazines, books, dust-wrappers, etc. He contributed a frontispiece to Sylvia Townsend Warner's A Moral Ending and Other Stories (1931). Kermode died in 1959.

A close-up of the vignette for Devil's Tor